Tag: Arts

"In order to understand an art you have to study its roots. That is the reason why, on numerous occasions, I travelled to Thrapsano of Heraklion Crete, the “centre” of pottery from the ancient times. I also went to Margarites of Rethymnon where I had the chance to study under Nicholaos Kavgalakis, also known as Mastrokavgalakis, a great craftsman and a good man willing to talk to me. Others don't answer questions fully. I was trained to Charokopio, Vounaria and Compoi of Koroni, under George Aggelopoulos. There they make jars using only local soil and in a completely primitive way. They don't even use a wheel. The jar doesn’t spin around in front of them, the craftsmen go around it”.

Ever since he was a child, lyre player Manolis Diamantakis, from Fourfouras village of Amari, Rethymnon, had an inclination to music. The only problem was that he had neither a lyre nor a bow. In the beginning, he made a makeshift lyre out of pear tree wood, with strings made of leather straps. He used horsetail hairs for the bow and struggled to play.

“I play music many hours a day. I start in the morning with the violin and then I go on with the piano. During the summer I stop for a while to swim and then I play the violin again”. Antonis Prekas from Emporio of Santorini is the son of the famous lute player Kyriakos and the grandson of the great violinist Antonis.

"I used to be naive and romantic. I thought that through music I would be able to share the pain and the joy with my friends, but I was disappointed. Some people use music as a weapon and they fight amongst themselves. We don’t want any part of this. We close our eyes and sing, not looking at the cameras when they turn towards us".

Into the deep fir forest of Maenalus, which looks like a jungle, there's the small village called Elati. One of the ten residents left in the village, is Leonidas Zafeiropoulos, the man who has raised a flag portraying Theodoros Kolokotronis at the entrance of his shop.

"I was born the year the Turks invaded Cyprus. It was all black back then. I grew up in my father's grocery store on Imvros, among spices, dried red peppers and okras threaded on small ropes. I kept my Greek nationality". Musician Stelios Berberis came to Greece in order to study economics and learn traditional music under Domna Samiou. When he finished his studies he came back to Constantinople.

"As a young man I worked at a traditional woodcarving laboratory in Athens with a good salary of 20,000 drachmas per week, but I stayed there less than a year, because they didn't care much about the details. I got a job at another lab for 6,000 per week, where they didn't like mindless working. I preferred earning less money and learning more about the job. Today's young people make something and want to immediately make money out of it; they don't care about learning by other people's experience".

"The houses here are in competition about which one of them has the most beautiful paintings on its frontage. We make them by scratching the wall, that's why we call them scratches. There are special plasterers who do this job and there is some kind of rivalry among them. They don't all have the same talent, but they do share love for their craft".

"Some time ago I was introduced to a 70year-old woman. When she held my hand she said: What is this ring that you're wearing? I like it very much. Would you wear a ring like that? I asked her. Definitely yes, she answered. Old women usually wear brilliants and golden jewels, but she had a strong personality and was attracted by the titanium ring".

"The priest in my village, Plikati of Ioannina, used to paint icons. I made a Virgin Mary with his help, which I later showed to my hagiography teacher Nikos Stratoulis, in Athens. When he saw it he asked me: What do you want to be, a painter or a hagiographer? I was confused; I didn't know what to answer. What if he didn’t like my answer and told me to take a hike? I told him that I wanted to become a hagiographer in order to please him. He looked at me with a satisfied look and told me: Come again on Monday and wear some old trousers, so you don’t get dirty on the scaffold. Who knows where I would be now, if I had told him I want to be a painter".

"I asked which the most southern place in Europe is and they told me about south Crete. I was looking for a nice place to live, where it would be warm and sunny all year. I was dreaming of a home away from the city, which would be near a natural spring and surrounded by trees. The first house I found had no electricity, only a fireplace in the corner. I had to light a fire every morning in order to make a coffee, but later I bought a camping gaz from the village's store".

Director Dimos Avdeliodis, creator of unique movies about life in the mastic villages of Chios, amongst which “The tree we used to hurt” is a sensitive and modest artist. He believes that the beauty of his homeland is not only hidden in images and photographs, but in the relationship between people and nature as well.

“I’ve been photographing people visiting the island for 44 years. Back in the old days no more than 10 tourists per day came from Rhodes to Symi. The last couple of years, however, thousands of them come to visit. They stay for an hour and they leave again by boat. I hurry up to have them photographed as soon as they reach the harbour and instantly print the photos. I place the photos on benches for them to see as they leave and buy them as souvenirs. I also get some help from my son Michalis, who is a photography school graduate. Since he was 8, he has been hanging pictures on tenters with me”.